Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Detail of Portrait of Miss Lu oil painting


Detail of Portrait of Miss Lu
mk191 Oil on canvas
Painting ID::  48734 		Edgar Degas
Detail of Portrait of Miss Lu
mk191 Oil on canvas
   
   
     
Edgar Degas Cliffs at the Edge of the Sea oil painting


Cliffs at the Edge of the Sea
mk192 1869 pastel 32.4x46.9cm
Painting ID::  48978 		Edgar Degas
Cliffs at the Edge of the Sea
mk192 1869 pastel 32.4x46.9cm
   
   
     
Edgar Degas Marine oil painting


Marine
mk192 c.1869 31x46cm
Painting ID::  48979 		Edgar Degas
Marine
mk192 c.1869 31x46cm
   
   
     
Edgar Degas Landscape oil painting


Landscape
mk192 c.1890-92 46x54.6cm
Painting ID::  48993 		Edgar Degas
Landscape
mk192 c.1890-92 46x54.6cm
   
   
     
Edgar Degas Wheat Field and Green Hill oil painting


Wheat Field and Green Hill
mk192 1892 25.4x34.6cm
Painting ID::  48994 		Edgar Degas
Wheat Field and Green Hill
mk192 1892 25.4x34.6cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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